[1]李劲松.文而不弱——苏轼“文人画”思想的解读[J].镇江高专学报,2008,(03):97-99.[doi:10.3969/j.issn.1008-8148.2008.03.029]
 LI Jin-song.Gentle but not weak——Decoding Su Shi’s thoughts of "Literators’ Paintings"[J].,2008,(03):97-99.[doi:10.3969/j.issn.1008-8148.2008.03.029]
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文而不弱——苏轼“文人画”思想的解读()
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《镇江高专学报》[ISSN:/CN:]

卷:
期数:
2008年03期
页码:
97-99
栏目:
出版日期:
2008-07-31

文章信息/Info

Title:
Gentle but not weak——Decoding Su Shi’s thoughts of "Literators’ Paintings"
作者:
李劲松
镇江市高等专科学校,教师教育系,江苏,丹阳,212300
Author(s):
LI Jin-song
Teacher’s Training Department,Zhenjiang College,Danyang 212300,China
关键词:
苏轼文人画柔弱刚健水墨画
Keywords:
Su Shi Literators’ Paintings effeminacy rigidity ink and wash painting
分类号:
J205
DOI:
10.3969/j.issn.1008-8148.2008.03.029
摘要:
中国历代文人的"隐退"思想以"刚性"的意志为后盾,不能简单地看作"消极"."文人画"实现了再现型绘画向表现型绘画的转变,其图式语言折射的审美追求是"以柔求刚".其外表的"柔弱"掩盖了其内在的"刚健".
Abstract:
The "Eremite" thought from Chinese Literators in each dynasty can not be simply regarded as "Negative",which should be backed up by the will of "Rigidity"."Literators’ Paintings" realizes the change from reappearance style to representation style in paint

参考文献/References:

[1] 陈传席.中国山水画史[M].南京:江苏美术出版社.1988:79,108,102
[2] 吕去疾.吕凤子文集[M].天津:天津人民美术出版社.2005:2,109
[3] 中川作一.视觉艺术的社会心理[M].上海:上海人民美术出版社.1991:71
[4] 董欣宾,郑奇.中国绘画对偶范畴论[M].南京:江苏美术出版社.1990:136

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更新日期/Last Update: 1900-01-01