[1]李洁,刘之育. 镇江六朝时期琴文化源流谈略[J].镇江高专学报,2011,(04):1-4.[doi:10.3969/j.issn.1008-8148.2011.04.002]
 Zhenjiang. On the origin of Guqin culture during the Six Dynasties in[J].,2011,(04):1-4.[doi:10.3969/j.issn.1008-8148.2011.04.002]
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 镇江六朝时期琴文化源流谈略()
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《镇江高专学报》[ISSN:/CN:]

卷:
期数:
2011年04期
页码:
1-4
栏目:
京口文化研究
出版日期:
2011-10-31

文章信息/Info

Title:
 On the origin of Guqin culture during the Six Dynasties in
文章编号:
10088148(2011)04000104
作者:
 李洁1 刘之育2
 1. 镇江高等专科学校人文科学系,江苏镇江212003; 2. 美国IBM公司,美国纽约07310
Author(s):
 Zhenjiang
LI Jie1, LIU Zhiyu2
关键词:
六朝镇江古琴文化
Keywords:
 the Six Dynasties Zhenjiang Guqin culture
分类号:
J632
DOI:
10.3969/j.issn.1008-8148.2011.04.002
文献标志码:
C
摘要:
 古琴是最具中国人文内涵的古老乐器。镇江的琴文化具有深厚的底蕴。六朝时期,卓越的琴人、著名的琴事与镇江有关,在中国琴史上开一代风气。主要表现为:礼乐教化思想与隐逸之风并存,共同促进琴文化的发展;琴学成就卓著,为六朝文学增添了优雅的光彩;对后世琴学产生深远的影响。
Abstract:
 Guqin is the most ancient Chinese musical instrument with rich cultural connotation. Guqin culture during the Six Dynasties in Zhenjiang has a deep cultural information. During the Six Dynasties, excellent Guqin players and famous anecdotes were related to Zhenjiang, which opened a generation of culture in the history of the Guqin in China. They were mainly as follows: ritual indoctrination style of thinking and recluse co-existed together to promote cultural development of the instrument; remarkable achievements in the instrument added elegant literary glory to the Six Dynasties; the instrument had a profound impact on the later generation.

参考文献/References:

[1\] 汪青.雅韵琴音——蔡邕《琴赋》的文学与音乐解读\[J\].名作欣赏:文学研究版,2006(5): 9-11.
[2\] 冯梦龙.东周列国志\[M\].济南:山东文艺出版社,1997.
[3\] 沈约.宋书\[M\].北京:中华书局,1974.
[4\] 白敏.乐府《乌夜啼》考\[G\]//首都师范大学诗歌研究中心,首都师范大学文学院.第二届乐府与歌诗国际学术研讨会论文集, 2009.
[5\] 张斌.宋代的古琴文化与文学\[D\].上海:复旦大学文学院,2006

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备注/Memo

备注/Memo:
 收稿日期: 2011-06-12
作者简介: 李洁(1964-),女,浙江舟山人,副教授,业余从事古琴研究;刘之育(1981-),女,江苏镇江人,硕士,业余从事古琴研究。
更新日期/Last Update: 2012-03-01