[1]王大婷.格雷马斯叙述视角下的《牡丹亭》[J].镇江高专学报,2020,33(01):121-124.
 WANG Dating.The Peony Pavilion from the perspective of Greimas’s narration[J].Journal of Zhenjiang College,2020,33(01):121-124.
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格雷马斯叙述视角下的《牡丹亭》()
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《镇江高专学报》[ISSN:/CN:]

卷:
33
期数:
2020年01期
页码:
121-124
栏目:
文化长廊
出版日期:
2020-05-10

文章信息/Info

Title:
The Peony Pavilion from the perspective of Greimas’s narration
文章编号:
1008-8148(2020)01-0121-04
作者:
王大婷
烟台大学 人文学院,山东 烟台264005
Author(s):
WANG Dating
School of Humanities, Yantai University, Yantai 264005, China
关键词:
《牡丹亭》格雷马斯行动元模式语义方阵
Keywords:
The Peony Pavilion Greimas action element mode semantic matrix
分类号:
I207.24
文献标志码:
A
摘要:
《牡丹亭》是中国戏曲史上的杰出作品之一。运用格雷马斯的结构主义叙事理论,从表层结构的行动元理论和深层结构的语义方阵理论解读《牡丹亭》文本,以杜丽娘的生死为线,将文本分为3个阶段,即因春伤情、因情而死、为情复生,建立《牡丹亭》的行动元模式,分析角色在文本中的蜕变及其在故事发展中的作用。从杜丽娘与杜宝的对立引出“情”与“理”的对立,构建《牡丹亭》的语义方阵,揭示各元素间的关系,阐明文本主题并探求文本主题的意义及其局限性。
Abstract:
The Peony Pavilion is one of the outstanding works in the history of Chinese opera. Using the structuralist narrative theory of Greimas, this thesis interprets the text of The Peony Pavilion from the action element theory of surface structure and the semantic matrix theory of deep structure. Taking the life and death of Du Liniang as the line, the text is divided into three stages, that is, the action element mode of The Peony Pavilion is established because of the spring injury, the feeling death and the feeling rebirth. The transformation of the role in the text and its development in the story are analyzed. From the opposition between Du Liniang and Du Bao, the opposition between “feeling” and “reason” is brought out. The semantic matrix of The Peony Pavilion is constructed to reveal the relationship between various elements, clarify the theme of the text and explore the significance and limitations of the theme of the text.

参考文献/References:

\[1\] 汤显祖.牡丹亭\[M\].陈同,谈则,钱宜,合评.李保民,点校.上海:上海古籍出版社,2016.

\[2\] 汤显祖.汤显祖集:诗文集\[M\].徐朔方,笺校.北京:中华书局,1962.

\[3\] 格雷马斯.结构语义学\[M\].蒋梓骅,译.天津:百花文艺出版社,1995.

\[4\] 汤显祖.牡丹亭\[M\].王思任批评本.王思任,批评.李萍,点校.南京:凤凰出版社,2011.

\[5\] 朱祖延.引用语大辞典\[M\].武汉:武汉出版社,2010.

\[6\] 格雷马斯.论意义:符号学论文集\[M\].吴泓缈,冯学俊,译.天津:百花文艺出版社,2011.

备注/Memo

备注/Memo:

收稿日期: 2019-10-16

作者简介: 王大婷(1994—),女,安徽阜阳人,硕士生,主要从事戏曲研究。

更新日期/Last Update: 2020-05-11