[1]陈琦.黄公望“三远”法意涵新解[J].镇江高专学报,2020,33(03):92-98.
 CHEN Qi.Reexploration of the implications of Huang Gongwangs Three Remotes[J].Journal of Zhenjiang College,2020,33(03):92-98.
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黄公望“三远”法意涵新解()
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《镇江高专学报》[ISSN:/CN:]

卷:
33
期数:
2020年03期
页码:
92-98
栏目:
文化长廊
出版日期:
2020-07-31

文章信息/Info

Title:
Reexploration of the implications of Huang Gongwangs Three Remotes
文章编号:
1008-8148 (2020)03-0092-07
作者:
陈琦
(华东师范大学 中文系,上海200241)
Author(s):
CHEN Qi
(Department of Chinese, East China Normal University, Shanghai 200241, China)
关键词:
黄公望“三远”元代山水画文人意识
Keywords:
Huang Gongwang Three Remotes landscape painting in the Yuan Dynasty literati consciousness
分类号:
J212
文献标志码:
A
摘要:
对“三远”问题的讨论,区别于郭熙《林泉高致》受到重视,黄公望的《写山水诀》一直被忽视。评析今人对“三远”法的解释,确定它在山水画艺术创作及古代审美意识中的真正意涵;比较郭熙、韩拙,重探黄公望“三远”法于其中的传承、变异关系;结合黄公望具体的画论与诗画作品,补充阐释其“三远”法在实践层面的演绎,尝试发掘这一论说对革新元代山水画、文人画格局的先导意义。
Abstract:
As for the discussion of “Three Remotes”, the relevant theory of Huang Gongwangs Tricks of Landscape Drawing has suffered from lots of negligence and criticism, contrary to the general acclamation towards Guoxis Lin Quan Gao Zhi. By analyzing todays explanation of “Three Remotes”, this thesis tries to redefine its real implications in the fields of landscape painting and ancient Chinese aesthetic consciousness. Based on that, it also reexplores the inheritance and innovation of Huang Gongwangs “Three Remotes” to the previous theories, especially with the comparison to the Guoxis and Hanzhuos. Combined with Huang Gongwangs specific painting theory and works of poetry and painting, this thesis reexplains the interpretation of his “Three Remotes” method on the practical level, and tries to explore the leading significance of this theory for the innovation of landscape painting and literati painting pattern in the Yuan Dynasty

参考文献/References:

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相似文献/References:

[1]卞冬仙.“元四家”山水画的隐逸特征[J].镇江高专学报,2014,(01):116.
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备注/Memo

备注/Memo:
收稿日期: 2020-02-13?
作者简介: 陈琦(1999—),女,安徽宣城人,主要从事中国文艺美学和后现代文艺理论研究。
更新日期/Last Update: 2020-09-20